I apologize dearly for the delay, the end of the semester is proving to be much more busy than I expected. I have been pretty exhausted and I just had an open class for my principals/coworkers thrown at me for this thursday so...yeah. Hopefully this was worth the wait corwyn and if luck is on my side, i'll be getting more from this lovely singer in the near future. Thanks for the request and enjoy!
The songs that solidified Perfume in my "cool book". This single will be the last from them, but everyone should check out their new full length "JPN". Sorry I've been AWOL the last few days but the end of the semester pressures are on and I'm now planning my students finals and English camp lessons for next month summer. I'm also losing energy with this heat/rain/heat/rain business! Anyway, I took a break...headed to a PC Room and decided to do a mass post of 5 albums. I urge everyone to check em out. Also, hopefully if time and energy permits, I'm showing interest in starting another blog dedicated to Video Game music and reviews (not too original I know). Since I'm an old fart at heart, its mainly gonna be about old games but trust me when I say some video game music is a better listen then most music. Anywho, enjoy the tunes and be on the watch out for some Hiroko Yakushimaru re-posts and other random goodies. Enjoy!
Back in 2005/2006 I discovered Number Girl on Myspace and songs off of School Girl Distortional Addict happened to be the first tunes I heard. Perhaps its nostalgia, but this is their best album in my opinion and a significant improvement over their first. Great music, great album cover, great everything. Enjoy!
Also, its very clear to me how much that Green Day's American Idiot opening riff sounds slightly reminiscent of the opening riff to "日常に生きる少女" but, that riff pretty much sounds like every Pixies song....so cest la vie.
Yet another fantastic album from Masami Tsuchiya. While I enjoyed TOKYO BALLET, Life in mirrors is more reminiscent of the later Ippu-do/RICE MUSIC sound, which I prefer. Also it doesn't hurt when David Sylvian and Mick Karn (Japan), John Taylor (Duran Duran) and Andy Mackay (Roxy Music) lend their talents to the mix. Great Stuff, highly recommended! Enjoy!
1. STAY IN HEAVEN 2. DON'T STOP LOVING 3. KHAOS TOWN(日射しの罪人) 4. 水の中のホテル (HOTEL ATLANTIS) 5. PERFECT DAYS 6. DAYDREAMS OF YOU 7. 一日千夜(ONE DAY A THOUSAND NIGHTS) 8. LAPIS 9. BECAUSE 10. PLANET MIRRORS
1. Ganbatte! 2. COMET rendez-vous 3. CHILDREN PARTY 4. 4月の雪 (MOMO VERSION) 5. 夢を抱きしめて 6. ROCKで行こう (NEW VERSION) 7. Only One (NEW VERSION) 8. SUPER FEELING 9. DON'T SIGH 10. 好きより大好きミンキースマイル! 11. ララバイ☆あ・げ・た・い (NEW VERSION) 12. OUR GOOD DAY…僕らのGOOD DAY 13. In The Fluffy MOON Nite (NEW VERSION) 14. LOOKIN' FOR LOVE (NEW VERSION) 15. Sad Man
As most of us learn in life, most good things don't last forever and after a decade long working relationship, Kitano and Hisaishi parted ways after the completion of 2002's Dolls. Apparently the two had a argument concerning the films soundtrack and that may be the reason why there are only five tracks present. Dolls is a fantastic art film and it was a new beginning for Kitano in a way. While many of his films were building up to this, Dolls really set the tone for the second phase of his directorial career in the 2000's. This was slightly subdued in his revamp of the popular blind swordsman film series, Zatoichi (座頭市), however Kitano, like in A Scene at the Sea, played off his characters disability intriguingly with sound. Musician Keiichi Suzuki of Moonriders fame took the role of composer and the two created an interesting world together. Both men have eclectic ways of crafting their art and much of this film is synchronized to the soundtrack. This is my favorite aspect of the film and while I did not love as much as Dolls and his works from the 90's, I did find it greatly entertaining. Unfortunately, this will be the last of his film soundtracks but I will continue post the randomness that I usually do. Check the films, check the soundtracks and enjoy!
After a string of successful films and a few acting roles outside of Japan, Kitano set his sights on the foreign market and in 2000 released his first and only US film, Brother. While much of the film is in Japanese, the story takes place in Los Angeles (ironically Little Tokyo) following a war between a newly formed "American Yakuza" and the "Mafia" . Despite its numerous flaws (and there are many), I still relatively enjoyed the film and I think Kitano's style and Hisaishi's soundtrack have a lot to do with that. Kitano vowed though to never pursue another similar project, as he would come to regret the experience. 2000 also saw the release of Jet Li's "Romeo Must Die", another horrible venture in the Far East vs West Coast theme and I'm glad no for the most part, a film is released internationally and directors feel less pressure to do these kinds of projects. Also to note, while Kitano has several actors that he uses in nearly every film he does, Brother became the second film in which he worked with actor Claude Maki. Great soundtrack, enjoy!
After the success of HANA-BI, Kitano returned with another "journey" film Kikujiro (菊次郎の夏). The film focuses on the summer exploits of a young boy and a man who lives for gambling and is one of Kitano's most lighthearted films. Once again, Hisaishi and Kitano collaborated on the project, producing perhaps one of Hisaishi's most recognized pieces "Summer". Great film, great soundtrack, enjoy!
Also...is anyone else not enjoying this new blogger layout?
In 1997, Kitano released what is arguably his most important film and is by far my favorite of his and one of my favorite films of all time. If you haven't seen this film, do so. Enjoy!
After the failure of Sonatine, Kitano tried to evoke his roots with a slapstick comedy film "Getting Any? (みんな~やってるか!)" two years later in 1995. However, just like his other previous efforts, it failed to garner any positive attention. In addition in 1994 shortly after finishing filming "Getting Any?", Kitano was involved in a motorscooter accident causing paralysis in half of his body. He would later remark that he was suffering from large amounts of depression and that the accident was an "unconscious suicide attempt". That aside though, Kitano was determined to return to work on a new project after recovering. Kids Return became Kitano's 6th film, dealing with the relationship of two friends and their lives after dropping out of high school. Kitano once again worked with Joe Hisaishi and Hisaishi created yet another beautiful score to compliment another great film. Kids Return became Kitano's most successful film up to that point in his career and I consider it to be one of his best films. Enjoy!
I first came upon this beautiful music in an episode of the HBO series "Carnivale". The choral music from Bulgaria and unlike anything you've ever heard and although I've heard many of the songs numerous times, I still get chills with each listening. These other worldly tunes come highly recommended and you'd be denying yourself greatly if you didn't take a listen!
Kitano's return to the yakuza genre in 1993's led to yet another commercial failure in Japan. The violent, psychological look into the life of a band of wayward gangsters confined to the beaches of Okinawa was not what many expected from the comedian they knew. However, I will tell you this film is amazing and I'm not the only with this opinion. In fact Sonatine, two years after its release, became a huge international success for Kitano after a French publisher, Jean-Pierre Dionnet, pushed for its release in France after viewing the film at the 1993 Cannes. Kitano style really came to life in this film and the scoring from Hisaishi is no less as well. The haunting minimalistic piano theme for the film truly resonates with the tone and Sonatine is a smart, dry, odd and beautiful film because of it. This is my second favorite Kitano film and the film and soundtrack come highly recommended. Enjoy!
This will be the last Akiko Yano post for a while (at least until I can get a hold of more). A short mini album of sorts featuring subdued duet versions of some of her biggest songs. Good listen. Enjoy!
A Scene at the Sea (あの夏、いちばん静かな海) is Kitano's third film but his first with legendary composer, Joe Hisaishi. This was the start of a decade long partnership between the two and it truly enriched Kitano's style and presentation throughout the 90's. Hisashi's compositions bring such warmth to the films and oddly compliment even the most perplexing and violent moments of Kitano's films. The film's protagonist, played by Claude Maki, is a deaf young man who wants to learn how to surf. Kitano stylistically made most of the movie in silence but allowed Hisaishi's soundtrack to speak for the characters and it fits perfectly. While not my favorite from either of them, A Scene at the Sea (あの夏、いちばん静かな海) marks an important point in both of their careers and is a fantastic listen and watch. Enjoy!
While I will continue to post various albums in addition, I thought I'd do a string of post dedicated to one of my favorite film directors, Takeshi Kitano. Kitano's the god of "Meta" yakuza films and his acute sensibilities regarding all aspects of his craft are usually unsurpassed, always controversial and at times mislead. Beginning his career as a stand up comedian, Kitano accidentally fell into film making when the director of Violent Cop (その男, 凶暴につき) had to drop out of the project. The film was supposed to be a comedy but Kitano, now at the reigns, decided to completely alter the project and thus began the first of many experimental Japanese mob movies. His films of course have taken on many different themes as the times have gone on, but this is the film that molded his career for the past 20+ years. This score, done by Daisuke Kume, compliments the film very well. Particularly the main theme standouts but so does Kume's variation of French composer Erik Saite's piece, Gnossiennes I
. The film is great and so to is the soundtrack and both come recommended. Enjoy!